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Fed Up!, script by Serge le Tendre, art by Dominique He. Going to Pieces, script and art by Francois Schuiten. Barbarella story, script and art by Jean-Claude Forest. Underground Comic, script and art by Stuart Nezin. 1996, script and art by Chantal Montellier. A New Episode featuring The Airtight Garage of Jerry Cornelius, script and art by Jean Giraud.
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Orion's World Is Not Our World, script and art by Gray Morrow. The Abracax Effect, script and art by Jean-Michel Nicollet. Urm, script and art by Philippe Druillet. Heavy Metal Magazine ad, art by Jean Giraud. Diabolical Planet (Part 2), script and art by Denis Sire. The Winter of The Last Combat (Chapter Two2), script by Victor Mora, art by Luis Garcia Mozos. The Ruse text story, script by Thomas Bridges, art by Charles Vess. Den story, script and art by Richard Corben. Self-Portrait illustration by Charles Vess. Barbarella, script and art by Jean-Claude Forest.
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Free Fall, script and art by Jean Giraud. Age of Ages, script by Akbar Del Piombo, art by Norman Rubington (collages). The Airtight Garage Of Jerry Cornelius, script and art by Jean Giraud.
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Telefield (Second Episode), script and art by Sergio Macedo. Venus - Ah, Venus text story by Richard A. The Burial of Death illustration by Alex Nino. Urm the Mad, script by Michel Demuth, art by Philippe Druillet. Diabolical Planet starring Morris White, script and art by Denis Sire. The Winter of the Last Combat, script by Victor Mora, art by Luis Garcia Mozos A moody romance of sorts set in a medieval village during the Crusades. Marvels of the Universe, art by Jean Giraud (one page). If you use the "Add to want list" tab to add this issue to your want list, we will email you when it becomes available. Enjoy! PS: For more interesting photos of Echo Park drained by Darrell Kunitomi check out the link here to Eastsider LA.This item is not in stock at M圜omicShop. Therefore, for anyone suffering from Echo Park withdrawals I thought it would be fun to post some of the old postcard images I have so we can all at least take a virtual, if not physical, stroll through Echo Park as it was in days gone by and maybe how it will be in days to come. And what’s on the other side is not so pretty for the moment. In the meantime, however, it is, and will continue to be, surrounded by a high cyclone fence until its metamorphosis is complete. Ironically, once the lush vegetation planted by Tomlinson matured it muffled the very effect that gave the park its name.Īt the end of the restoration, Echo Park will look the freshest it has since its 1895 opening. It was Tomlinson who reportedly gave the park its name when one day he called out to his men who were clearing brush on the other side of the lake and was surprised to hear his own voice echo back at him. The English-born Tomlinson modeled his landscape design on fond memories of his boyhood home of Derbyshire. Its origins date all the way back to 1868 when a 20-foot high dam was built across the arroyo to impound runoff from a nearby stream. Some twenty years later, the City wisely engaged the talented Joseph Tomlinson to convert the former reservoir into a park. The historic lake is a lot older than much of the city that now surrounds it. In spite of the lack of oddities lurking beneath its waves, Echo Park remains a beloved Los Angeles treasure and is well deserving of the much-needed restoration and enhancements it is getting including a leak-proof clay bottom, new pathways and the development of four acres of wetlands at its edge.